Friday, April 20, 2012

Day 3 Heavy Metal Play Day

The saturday metal class was fantastic! Walnut Hollow recently changed the size of their metal squares from 4" x 4" to 5"x 5 3/4", and this larger size really opened up the creative potential for embossing. 
My students had so much fun, creating fantastic designs, check out all their beautiful work (click on the photos for big images)
The texture and depth that can be achieved with the copper is amazing.



One student found this great little embossed aluminum metal box in the Artistic Artifacts booth at lunch and colored it with alcohol inks.



 another beautiful bee



It was such a wonderful surprise to have my friend Holly Holloway and her mom in my class too.

For anyone wanting to take this class, I'll be teaching it in Houston at International Quilt Festival on Saturday November 3 and this weekend in Mineral Point, WI at Shake Rag Alley.

Thursday, April 19, 2012

Day 2- Color Theory


I believe the best way to learn about color is to mix and create colors by watching the physical interaction of one hue upon another using paint. Reading about color or looking at swatches of fabric can give you a sense about how colors relate but there's nothing like experiential learning to fully grasp the concept.


In this class we start with recognizing warm and cool primary colors and how using the right combination will create the purest and brightest secondary and tertiary colors to make an accurate color wheel. Then we apply this knowledge for making tints, shades and tones.
My favorite chart is the Complementary color chart where each student chooses a different set of complementary colors and creates a stepped gradation between the two to see how each color is neutralized by its opposite and see all the lovely colors that are created in the process.
I break up the time in class with a powerpoint presentation going over the basics of color theory and showing examples of the way different colors affect each other; shifting hue, value and visual depth.

It's a lot of information to absorb in one day, but the process is relaxing and fun and there are several extra charts to continue the exploration on your own at home.




I even had a husband and wife team in this class.



The Cincinnati Quilt Festival was interesting in that it had the highest percentage of men I have ever seen at any International Quilt Festival I've attended over the last 15 years. It's still a very small number, but I was impressed none the less.

Friday night, the city of Cincinnati threw the festival attendees a blow out dance party at the convention center with lots of small plate food, wine and beer and a 70's/80's cover band with a dance floor.

And the best part was I got to hang out and dance with my fellow creative peeps:
Pokey, who is now the chief creative officer for IQA, how's that for an impressive title, besides still being host of QATV, and my Chicago peeps Catherine Redford and Cheryl Sleboda

What a blast! The music was awesome, I don't think I missed dancing to a single song, 2 1/2 hours straight, what a work out, I was a bit stiff the next morning, lol, but it was so worth it. It's rare to have the opportunity to dance to such great music anymore.

Wednesday, April 18, 2012

Exploring Tea & Ephemera in Cincinnati




The first day of festival I taught Tea & Ephemera which is a class focused on learning a variety of mixed media techniques: drawing on tea bags and adhering them to fabric 

working with printed tea bags
collaging a variety of art papers, napkins, book pages and foreign language newspapers

additional color is applied with paint and colored pencils




rubber stamps provide more options for creating texture 

paint sticks used with commercial stencils and cut freezer paper can create transparant or opaque patterns to overlay imagery

I love having young students in my class. They still have their creative confidence intact and always do amazing work.
we even added printing with thermofax screens into the mix.


It was a fun day of exploration, and after class everyone hit the show floor for opening night.
It was also nice to see the Artists Village again, I had totally forgotten it was going to be at the show, it had a wonderful location between the 12 x 12 exhibit and Tactile Architecture.


This is my house from the exhibit, which is constructed using abaca paper (tea bag paper) that I printed with images and painted, adhered to heavy weight interfacing, quilted and stitched together into a house.