Usually, in my paintings you won't see any ground. I prefer the sense of ambiguity that is created without placement and the largeness and heaviness of feel the use of sky alone alludes to. I am unsure about the "ground" but it works. I just have to figure out the imaginary lighting. I like the weird feel of the sky. What seems funny to me now is that the tamarin does not look like a real animal. He looks like something out of children's illustration. Yet, the reference photo I am using looks like this. Overall, it is evolving into something special. My light is gone, so time to step away from it.
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